Tamba, Child Soldier

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Tamba, Child Soldier

by RM Rhodes

One of the appeals of the French comics industry is the sheer variety of genres that are available on offer. English-speaking comics publishers like NBM have been translating comics originally printed in French for decades for exactly this reason. For its part, the English-speaking audience has responded well what the French call Reportage - comics based on real events that straddle the line between non and fiction. Books like Tamba, Child Soldier by Marion Achard and Yann Degruel.



The creators deliberately chose to not identify a single nation in this book because the practice of using children as soldiers is so widespread that people could identify it pretty much everywhere. To that end, the story's visuals rely on the cultural similarities across the continent, presenting an anonymized landscape filled with generic people for the main characters to wander through. This is a good thing.

The story that the main characters tell is horrific - the book's title lets you know exactly what you're going to get. The art does a great job servicing a harrowing story, which starts with the main character telling his story to a tribunal of some kind. It's easy to tell the flashbacks from the interrogation because the flashbacks use a full color palate, while the interrogation panels have a muted, monochrome color.




Given the weight of the subject matter, having such clear, non-challenging art that communicates scene transitions so subtlety really allows the experience of the main characters take center stage and just exist. The life of a child soldier is heavy enough that it needs no extraneous embellishment, which might have been a temptation in more commercial-minded hands. Fortunately, the French language comics industry is robust enough that not everything has to meet a hypothetical set of arbitrary requirements merely to be considered by the marketplace.

Both the writer and artist are white, which is interesting because they managed to produce a book with almost no white characters. In fact, the only white people in the entire story are silent, unnamed Non-Government Organization (NGO) workers, who are referenced as the bellwether for how dangerous things really are. They show up on half a page near the end of the book, barely have faces and, if you blink, you might miss them.

Marion Achard was a circus performer and wrote several novels before writing this graphic novel. Yann Degruel, the artist, is well known for his children's books, which makes him an interesting choice to illustrate a book about child soldiers.

If you have a deep and abiding interest in the issue of child soldiers, this is absolutely the book for you. There are a trio of short essays in the back of the book about the topic, with URLs for sites that will give you more information. If you are even marginally interested in the issue, this book will absolutely convince you it should be addressed.

Tamba, Child Soldier by Marion Achard and Yann Degruel will be published by NBM in December 2019. https://nbmpub.com/

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Why is this here? It's a long story. Mike Rhode first introduced himself to me when I first started vending at SPX. Over the years, we've talk to each other at Comic conventions around the DC area and never quite get around to sitting down for lunch. 

When I moved to Arlington two years ago, I didn't realize that Mike lived within a mile of my building. Nor did I realize that he lived next door to my ex-girlfriend's friend from college. We also discovered, by accident that we work two buildings away from each other, because we work in adjacent organizations. The world is a very small place, sometimes. 

It really feels that way when I run into Mike at the local farmer's market. Naturally, that's when I pitch him article ideas. I'm reading the entire run of Heavy Metal in public (in blog format) because I happen to own the entire run of Heavy Metal. This means that I'm engaged in an ongoing study of the magazine. In addition, I have a diverse and idiosyncratic reading list that tends towards the weird corners of comics history. Sometimes one circumstance or another results in long articles that I don't really have anyplace to put. Mike has been gracious enough to let me publish them here.

In summary: this is an article about comics from someone in the DC area.


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